I have not seen Slumdog Millionaire but I am rereading The Satanic Verses by Salman Rushie.
It's been a long time since I read Verses. I went out and bought it the night I heard the fatwah had been declared on Rushdie. I was perfectly prepared not to like the book but, in point of fact, I loved it. I've read the book several times since, twice out loud.
Yet, this time as I'm reading it I find myself irritated. Perhaps it's because there are so many Indian writers in American bookstores right now-- many, if not most, of inferior caliber. But, curiously enough, I don't think so.
It's the magnetic pull of the exotic.
We like strangeness. We adore it. We clasp it to our bosom even when we don't really understand it, can't quite grasp the message or figure out what's going on. It's they mystery that attracts us, not the medium or the message.
So: I've been reading Verses without the same patience as when I first read it. I'm not interested in the exotic for the sake of the mystery. It's now something I'm putting up with to get to the meat of the matter.
It makes me wonder how much of the hype over new/edgy/foreign writers is just another case of exotic love.
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Wall of Idiots
Socially Secure Illegal Immigration
Political Links
Iceland: The Hedge Fund
Ode to the Unhappy
Links of Interest
Fab Art
Urban Homesteading
New Moonlet around Saturn
Carbon Logging
Transient Lunar Phenomena
The Hands of Dinosaurs
Green Sweden
BRAF Interactive Art Grants
V: Magnetic Marble Track
Robots: The Big Picture
The Cheap Vegetable Gardener
V: History of Life in 60 Seconds
Experiments in Stereolithography
CNC Car Forms
The Compleat Microhydro Plant
Hands On Books
DIY
Cardboard Furniture
Cigar Box Guitar
Soil Blockers
Hand Holders
Recycling Computers
Cheap Soil Moisture Sensor
Jar-Lid Vibrobot
Late Night Ice Cream
Wednesday, March 4, 2009
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